Holocaust Aesthetics: Four Films
| dc.contributor.author | Piskulich, Pat | |
| dc.date.accessioned | 2020-05-15T12:24:29Z | |
| dc.date.available | 2020-05-15T12:24:29Z | |
| dc.date.issued | 2011-10-01 | |
| dc.identifier.citation | Piskulich, Pat. "Holocaust Aesthetics: Four Films" Oakland Journal 21 (2011). 5-27 | en_US |
| dc.identifier.issn | 1529-4005 | |
| dc.identifier.uri | http://hdl.handle.net/10323/7945 | |
| dc.description.abstract | ...the means and ends associated with preserving memory, particularly in the case of the Holocaust, are quite controversial. | en_US |
| dc.language.iso | en_US | en_US |
| dc.publisher | Oakland University | en_US |
| dc.subject | World War II | en_US |
| dc.subject | Holocaust | en_US |
| dc.subject | Filmmaking | en_US |
| dc.subject | Judaism | en_US |
| dc.subject | Genocide | en_US |
| dc.subject | Film analysis | en_US |
| dc.title | Holocaust Aesthetics: Four Films | en_US |
| dc.type | Article | en_US |
