Idealizing the Imaginary: Illusion and Invention in Contemporary Painting
Abstract
Excerpt from essay by Dick Goody: Central to the practice of the painters in this exhibition is the expansion of the imaginary as the primary source of their compositions, and, as such, their practice is rooted in invention and the mind’s eye.
Date
2012-01-14
Type
Text
Department
Description
Catalog of an exhibition held at the Oakland University Art Gallery, January 14 – April 1, 2012. Contains essay by Dick Goody.
Provenance
Subjects
Oakland University Art Gallery, Oakland University. College of Arts and Sciences, Exhibition catalogs, Kresge Foundation, Michigan Council for the Arts and Cultural Affairs, National Endowment for the Arts, Baker, Kevin, Benson, Trudy, Bernhardt, Katherine, Brown, Cecily, Connors, Matt, Dorland, Kim, Flood, Mark, Keyser, Rosy, Lerma, José, Shishkin, Dasha, Smith, Josh, Thomasos, Denyse, White, Wendy