An Entanglement: Ancient Texts, Old Marginalia, and Contemporary Art

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dc.contributor.authorEis, Andrea
dc.contributor.editorCole, Natalie B.
dc.coverage.temporal2010s
dc.date.accessioned2020-05-15T17:48:54Z
dc.date.available2020-05-15T17:48:54Z
dc.date.issued2012-10-01
dc.description.abstractThis essay pivots around the practice of marginalia—notes written in the margins of books and other texts—and also navigates through the practice of my art, with its combination of research, chance occurrence and aesthetic experimentation. It is also a bit of a story, an exploration of how intellectual curiosity and visual fascinations can lead a person onto a new path that has no known destination. Though the practice of art usually produces end products in physical form, art is a process, not a goal, an exploration of ambiguity, not a determination of fact, an opening up of new possibilities, not a pinning down of definitive knowledge.en_US
dc.identifier.citationEis, Andrea. "An Entanglement: Ancient Texts, Old Marginalia, and Contemporary Art" Oakland Journal 23 (2012). 18-31en_US
dc.identifier.issn1529-4005
dc.identifier.urihttp://hdl.handle.net/10323/7976
dc.language.isoen_USen_US
dc.publisherOakland Universityen_US
dc.relation.ispartofOakland Journal Number 23: Fall 2012en_US
dc.rightsCopyright held by Oakland Universityen_US
dc.subjectArten_US
dc.subjectGreeceen_US
dc.subjectBooksen_US
dc.titleAn Entanglement: Ancient Texts, Old Marginalia, and Contemporary Arten_US
dc.typeArticleen_US

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Oakland Journal Number 23: Fall 2012