Charlotte Osgood Mason: Politics of Misrepresentation

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dc.contributor.authorBooth, Melinda
dc.contributor.editorFolland, Sherman T.
dc.coverage.temporal2000s
dc.date.accessioned2020-05-08T11:09:41Z
dc.date.available2020-05-08T11:09:41Z
dc.date.issued2006-01-01
dc.description.abstractThe influence of white patron Charlotte Osgood Mason on the black writers, musicians and artists of the Harlem Renaissance.en_US
dc.identifier.citationBooth, Melinda. "Charlotte Osgood Mason: Politics of Misrepresentation" Oakland Journal 10 (2006). 49-65en_US
dc.identifier.issn1529-4005
dc.identifier.urihttp://hdl.handle.net/10323/7671
dc.language.isoen_USen_US
dc.publisherOakland Universityen_US
dc.relation.ispartofOakland Journal Number 10: Winter 2006en_US
dc.rightsCopyright held by Oakland Universityen_US
dc.subjectAfrican-American cultureen_US
dc.subjectWritingen_US
dc.subjectArten_US
dc.subjectMusicen_US
dc.titleCharlotte Osgood Mason: Politics of Misrepresentationen_US
dc.typeArticleen_US

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Oakland Journal Number 10: Winter 2006