Why Bridesmaids Was Better Than Tree of Life; Or, How I Learned to Stop Taking Myself So Seriously at the Movies
dc.contributor.author | Vaughan, Hunter | |
dc.contributor.editor | Cole, Natalie B. | |
dc.coverage.temporal | 2010s | |
dc.date.accessioned | 2020-05-15T14:16:13Z | |
dc.date.available | 2020-05-15T14:16:13Z | |
dc.date.issued | 2012-01-01 | |
dc.description.abstract | What makes a film a good film? Must a good film be an important social text, or does social meaning and use also reside in collective laughter, personal enjoyment, and downright indulgence? Can humor be beautiful? | en_US |
dc.identifier.citation | Vaughan, Hunter. "Why Bridesmaids Was Better Than Tree of Life; Or, How I Learned to Stop Taking Myself So Seriously at the Movies" Oakland Journal 22 (2012). 32-37 | en_US |
dc.identifier.issn | 1529-4005 | |
dc.identifier.uri | http://hdl.handle.net/10323/7956 | |
dc.language.iso | en_US | en_US |
dc.publisher | Oakland University | en_US |
dc.relation.ispartof | Oakland Journal Number 22: Winter 2012 | en_US |
dc.rights | Copyright held by Oakland University | en_US |
dc.subject | Film analysis | en_US |
dc.title | Why Bridesmaids Was Better Than Tree of Life; Or, How I Learned to Stop Taking Myself So Seriously at the Movies | en_US |
dc.type | Article | en_US |