James Stephens A Mid - Career Retrospective

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dc.contributor.authorGoody, Dick
dc.contributor.authorStephens, James
dc.contributor.authorLashbrook, Debra
dc.date.accessioned2009-10-06T19:54:15Z
dc.date.available2009-10-06T19:54:15Z
dc.date.issued2007
dc.descriptionCatalog of an exhibition held at the Oakland University Art Gallery, 2007. Contains essay by Dick Goody.
dc.description.abstractExcerpt from essay by Dick Goody: The work of James Stephens throughout the eighties was that of an artist, a gay man existing (and painting about that existence) in the urban Midwest, specifically in Detroit, a divided city on the threshold of post-industrialization – in other words, the result of being a minority and living a hand-to-mouth existence in a declining city.
dc.identifier.isbn978-0-925859-42-6
dc.identifier.urihttp://hdl.handle.net/10323/772
dc.language.isoen_USen_US
dc.publisherOakland Universityen_US
dc.subjectOakland University Art Galleryen_US
dc.subjectOakland University. College of Arts and Sciences
dc.subjectMichigan Council for the Arts and Cultural Affairs
dc.subjectExhibition catalogsen_US
dc.subjectStephens, James
dc.titleJames Stephens A Mid - Career Retrospectiveen_US
dc.title.alternativeLandscape, Utility and Psychology – Souvenirs of Consequence: The Paintings of James Stephens
dc.typeTexten_US
dcterms.isPartOfJames Stephens A Mid - Career Retrospective, 2007

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