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The Power of an Image: Wedgwood’s Slave Cameos

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dc.contributor.authorLong, Desiree
dc.contributor.editorNixon, Jude V.
dc.coverage.temporal2000s
dc.date.accessioned2020-05-11T12:17:09Z
dc.date.available2020-05-11T12:17:09Z
dc.date.issued2007-10-01
dc.description.abstractIt was in 1787 that Wedgwood makes his greatest contribution to the anti-slavery cause through a very powerful and compelling image: the slave cameo.en_US
dc.identifier.citationLong, Desiree. "The Power of an Image: Wedgwood’s Slave Cameos" Oakland Journal 13 (2007). 159-174en_US
dc.identifier.issn1529-4005
dc.identifier.urihttp://hdl.handle.net/10323/7731
dc.language.isoen_USen_US
dc.publisherOakland Universityen_US
dc.relation.ispartofOakland Journal Number 13: Fall 2007en_US
dc.rightsCopyright held by Oakland Universityen_US
dc.subjectAbolitionistsen_US
dc.subjectSlaveryen_US
dc.subjectJewelryen_US
dc.subjectFashionen_US
dc.subjectWedgwood, Josiah, 1730-1795en_US
dc.titleThe Power of an Image: Wedgwood’s Slave Cameosen_US
dc.typeArticleen_US

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Oakland Journal Number 13: Fall 2007