The Power of an Image: Wedgwood’s Slave Cameos
dc.contributor.author | Long, Desiree | |
dc.contributor.editor | Nixon, Jude V. | |
dc.coverage.temporal | 2000s | |
dc.date.accessioned | 2020-05-11T12:17:09Z | |
dc.date.available | 2020-05-11T12:17:09Z | |
dc.date.issued | 2007-10-01 | |
dc.description.abstract | It was in 1787 that Wedgwood makes his greatest contribution to the anti-slavery cause through a very powerful and compelling image: the slave cameo. | en_US |
dc.identifier.citation | Long, Desiree. "The Power of an Image: Wedgwood’s Slave Cameos" Oakland Journal 13 (2007). 159-174 | en_US |
dc.identifier.issn | 1529-4005 | |
dc.identifier.uri | http://hdl.handle.net/10323/7731 | |
dc.language.iso | en_US | en_US |
dc.publisher | Oakland University | en_US |
dc.relation.ispartof | Oakland Journal Number 13: Fall 2007 | en_US |
dc.rights | Copyright held by Oakland University | en_US |
dc.subject | Abolitionists | en_US |
dc.subject | Slavery | en_US |
dc.subject | Jewelry | en_US |
dc.subject | Fashion | en_US |
dc.subject | Wedgwood, Josiah, 1730-1795 | en_US |
dc.title | The Power of an Image: Wedgwood’s Slave Cameos | en_US |
dc.type | Article | en_US |