Goody, DickLashbrook, Debra2024-05-032024-05-032013-01-12978-0-925859-58-7https://hdl.handle.net/10323/13279Catalog of an exhibition held at the Oakland University Art Gallery, January 12 – March 31, 2013. Contains essay by Dick Goody.Excerpt from essay by Dick Goody: This exhibition explores the work of international contemporary artists (temporarily or permanently) fixated with portraiture. It considers: the sitter (object), the artist (depicter) and the viewer (subject). By degrees, these three things are inextricably linked; but it is the artist and the object that she or he renders that takes precedence in the sense that the viewer’s role is not active in the making of the work.en-USIn CopyrightUsers assume all responsibility for questions of copyright, invasion of privacy, and rights of publicity that may arise in using reproductions from the library's collections.Oakland University Art GalleryOakland University. College of Arts and SciencesExhibition catalogsKresge FoundationMichigan Council for the Arts and Cultural AffairsNational Endowment for the ArtsBecker, NoahBorremans, MichaëlBurton, JeffBush, AndrewDorn, KentDumas, CharlotteDuong, AnhGonnord, PierreGrossman, DebbieGuenther, AndrewLaing, RosemaryLux, LorettaSchuman, ScottShrigley, DavidVlčková, TerezaWatson, MatthewWittenberg, NicoleYiadom-Boakye, LynetteThe Roving Eye: Aura and the Contemporary PortraitText