| dc.contributor.author | Anderson, Robert | |
| dc.contributor.editor | Cole, Natalie B. | |
| dc.coverage.temporal | 2010s | |
| dc.date.accessioned | 2020-05-14T10:55:10Z | |
| dc.date.available | 2020-05-14T10:55:10Z | |
| dc.date.issued | 2010-10-01 | |
| dc.identifier.citation | Anderson, Robert. "“So.”: The Worlds of Oral Performance" Oakland Journal 19 (2010). 125-134 | en_US |
| dc.identifier.issn | 1529-4005 | |
| dc.identifier.uri | http://hdl.handle.net/10323/7884 | |
| dc.description.abstract | Oral recitation of poetry has a long tradition in the Academy. Reading out loud reminds us of poetry’s corporeal nature, of how poetry is breath and the pressure of tongues against teeth as much as ink on paper. Reading poetry out loud reminds us of the irretrievably social nature of language. | en_US |
| dc.language.iso | en_US | en_US |
| dc.publisher | Oakland University | en_US |
| dc.relation.ispartof | Oakland Journal Number 19: Fall 2010 | en_US |
| dc.rights | Copyright held by Oakland University | en_US |
| dc.subject | Poetry | en_US |
| dc.title | “So.”: The Worlds of Oral Performance | en_US |
| dc.type | Article | en_US |
