Subverting the (un)Conventional

Excerpt from essay by Dick Goody: We always make assumptions about the objectivity of photography, just as we make assumptions about what we think the subject matter might be. Work that covers certain genres like gender, sexuality, identity, etc., may appear to be outwardly political in nature, but in Greig’s oeuvre, even when these things are present, even when they are dialectical, the personal takes precedence over the ontological.