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dc.contributor.authorCohassey, John
dc.contributor.editorCole, Natalie B.
dc.coverage.temporal2010s
dc.date.accessioned2020-05-15T14:30:44Z
dc.date.available2020-05-15T14:30:44Z
dc.date.issued2012-01-01
dc.identifier.citationCohassey, John. "In Duchamp’s Shadow: Dadaist in the City of Machines" Oakland Journal 22 (2012). 11-26en_US
dc.identifier.issn1529-4005
dc.identifier.urihttp://hdl.handle.net/10323/7958
dc.description.abstractI set out to find a link between the Scarab Club signature and his coming to Detroit in 1961. We may never know why Duchamp—who never spoke fondly of history, especially its art movements and “isms” and rejected all facets of aesthetic commercialism—accepted an honorary degree from an urban university so far from the powerful centers of the art world. But for an artist fascinated by the machine and mechanical drawings, Detroit may have been a fitting place for such an honor.en_US
dc.language.isoen_USen_US
dc.relation.ispartofOakland Journal Number 22: Winter 2012en_US
dc.rightsCopyright held by Oakland Universityen_US
dc.subjectArten_US
dc.subjectDuchamp, Marcel, 1887-1968en_US
dc.subjectDetroit Institute of Artsen_US
dc.subjectWayne State Universityen_US
dc.titleIn Duchamp’s Shadow: Dadaist in the City of Machinesen_US
dc.typeArticleen_US


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